Within the eight years since HBO’s “Wanting” put him on the map, Raúl Castillo has emerged as one in all Hollywood’s most buzzed-about character actors. Any doubts about his on-screen charisma have been put to relaxation this summer time by the Apple TV+ dramedy “Cha Cha Actual Easy” and Netflix’s “Hustle,” by which he introduced emotional texture to roles that would have appeared one-dimensional within the arms of a much less supple performer. He returns to the large display screen subsequent month in Class Bratton’s semiautobiographical characteristic “The Inspection,” portraying a Marine Corps drill teacher.
Regardless of his marquee worth, Castillo nonetheless considers himself a denizen of the theater. Final month, he returned to the stage after a seven-year absence within the New York Theatre Workshop manufacturing of Victor I. Cazares’ drama, “American (Tele)visions.” He performed Octavio, the strict patriarch of an undocumented Mexican household residing in suburban Texas within the early Nineties. Collectively, the household ― which incorporates Octavio’s spouse, Maria (Elia Monte-Brown), closeted homosexual son Alejandro (Clew) and tomboy daughter Erica (Bianca “b” Norwood) ― learns that the pursuit of the American dream comes at an unstated emotional price.
Whereas engaged on “American (Tele)visions,” Cazares ― who’s nonbinary ― got here to view Castillo as a mentor. In flip, Castillo stated the playwright has given him “every part I ever needed” as a theater artist.
“I’d been saying for some time: ’I don’t assume I’ll ever do a play once more as a result of nobody’s writing the roles I’m enthusiastic about, and no one must see my Stanley Kowalski,” stated Castillo, referring to the position in “A Streetcar Named Want” made well-known by Marlon Brando. “Victor joked that they wrote my Stanley, which I really like. Simply to provide start to a brand new play is a teenage dream come true.”
HuffPost caught up with Castillo and Cazares to speak about “American (Tele)visions” earlier than it concluded its acclaimed New York run final week.
Victor, the characters in “American (Tele)visions” are very consultant of your intersectional identities. How a lot of your individual expertise knowledgeable the play?
Cazares: The present has autobiographical parts, however the story shouldn’t be autobiographical. I’m a Mexican American individual and I grew up on the border. I got here out once I was 14 or 15, and my mother and father didn’t react positively. We have been a non secular household, so their response was: “Let’s give Victor remedy to cease being homosexual.”
However even when my mother and father had issues understanding, accepting and embracing my queer identification, they have been appearing out of what they felt was love. It was nonetheless not nice, but it surely was love. I’m joyful to say we now have an excellent relationship. The people who we have been 15, 20 years in the past, these mother and father usually are not right here anymore.
Regardless that this household’s poor, they nonetheless look good. There’s a sure approach by which poor Mexicans are depicted, and that was not my lived expertise. If something, now we have to attempt tougher exactly due to our socioeconomic standing.
Raúl, what was it concerning the present ― and particularly, the position of Octavio ― that resonated most with you as an actor?
Castillo: Initially, I assumed I used to be going to go on the play. Then I learn the script and felt that it was completely stunning. I used to be surprised by how transferring it was, and I’d by no means learn something prefer it.
[Director] Rubén Polendo had such a transparent imaginative and prescient when it comes to how he needed to make this play occur, when it comes to how he needed to stage it and the way he needed to conduct the method. Then Victor spoke about their inspiration for the play. These are two Mexican American artists, and I don’t run into Mexican American artists which are working at this degree typically, to be frank.
I bear in mind considering to myself: “I’ve to do that play.” There hasn’t been a day within the course of that hasn’t reaffirmed my choice. There’s not an individual on this firm who isn’t working at their prime degree and giving it their all.
“American (Tele)visions” was initially set to premiere earlier than the COVID-19 pandemic. Do you assume there are themes within the present that land otherwise ― extra deeply, even ― due to the two-year delay?
Cazares: Due to the pandemic, we’re popping out of a interval of mourning, of actually intense grief and a distancing that we needed to have with individuals. Not with the ability to see your loved ones and buddies … that’s each day life for undocumented immigrants. They’re separated from the individuals they left again house. In order that isolation that they undergo because of this and that this household within the play suffers is extra legible than it was earlier than.
Raúl, the play is being staged shortly earlier than the discharge of your new film, “The Inspection.” As an actor, is it difficult so that you can transfer in between mediums?
Castillo: I really like each mediums for various causes, and it’s thrilling to be again within the theater, [but] the primary night time we carried out the play for an viewers, I used to be terrified. It was an out-of-body expertise as a result of I hadn’t completed it for thus lengthy. Now, it simply appears like essentially the most pure factor. I began in theater, it’s the place I got here up.
I simply obtained to see “The Inspection” for the primary time, and I used to be so electrified by Gabrielle Union’s efficiency as a mom who rejects her queer son. As a result of I’m residing on this area [playing] a person who’s actually damaged by the lack of his son, it was heartbreaking to look at. However the movie is gorgeous, and I’m extremely happy with it. I’m enthusiastic about these two tales coming to life on the identical time.
Victor, what are you most hopeful audiences take away from “American (Tele)visions”?
I would like individuals to be modified. I personally go to the theater to course of. I’m going hoping to be modified and transfer to depart with some organ inside me displaced and perhaps in a brand new space of my physique (laughs). And I would like individuals to see themselves on this household. Both you see your self, otherwise you’re capable of go away some trauma.
I’m specializing in simply having this story [and] having extra individuals see this undocumented Mexican household. I’d like to encourage different Mexican American youngsters to see themselves, to interact and to know that their tales are price telling and that individuals need to see them. We deserve human rights, and a part of that human proper is having our tales informed.
This interview has been frivolously edited and condensed for readability and size.
